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LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

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Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
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Author (1):
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David Earl David Earl
Author Profile Icon David Earl
David Earl
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Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist FREE CHAPTER 2. Getting Our Feet Wet: Exploring LMMS 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index

Time for action—separating audio streams

We need to get our audio separated into individual FX channels and explore the concept of gain staging to get a clear mix. Here's how it's done:

  1. Start with the Beat+Bassline editors in the song Mixing_Start. You can find Mixing_Start at this location:

    http://www.packtpub.com/sites/default/files/downloads/Chapter_10.zip

  2. Open the Beat+Bassline editor called Main_Loop with CR78:
    Time for action—separating audio streams
  3. Some of the volumes are set to different levels so that the Master FX channel will not clip. Open up the Pad instrument by clicking on it.
  4. In Pad, go to the top where the FX channel can be set:
    Time for action—separating audio streams
  5. Click and hold on the FX CHNL area, and move your mouse up until it says 4:
    Time for action—separating audio streams
  6. Now close the editor, and open the FX Mixer.
  7. Hit the Space bar. We will see that the Pad come through FX channel 4:
    Time for action—separating audio streams
  8. Now the level on FX channel 4 is very low. We should turn the volume on the Pad instrument back to 0 dB:
  9. Now the level coming through FX channel 4 is looking more robust, although it still...
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