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LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

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Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
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Author (1):
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David Earl David Earl
Author Profile Icon David Earl
David Earl
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Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist FREE CHAPTER 2. Getting Our Feet Wet: Exploring LMMS 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index
Sampling audio

The word sampling, in the dance and electronic music world, has been used to describe the act of taking a snippet of a song and repurposing it in a new song. This technique has been used for a very, very long time, and since the beginning, it's been somewhat controversial. Taking a small section of a song and putting it in a new song sounds like it wouldn't be that big of a deal, but sometimes artists feel that as they have spent the time and resources to get the recording together for that little snippet, they deserve a piece of whatever profits the new song gets. Some sampling artists will argue that sampling actually provides more exposure to the artists they are sampling, declaring a 'rising tide floats all boats' kind of scenario.

Early sampling

Sampling music in the old dance music and hip-hop days was very primitive indeed. In one case, there was a song called Good Times by a band called Chic. The song was released in 1979, at the tail end of the...

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