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Unity 2018 Shaders and Effects Cookbook
Unity 2018 Shaders and Effects Cookbook

Unity 2018 Shaders and Effects Cookbook: Transform your game into a visually stunning masterpiece with over 70 recipes , Third Edition

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Profile Icon John P. Doran Profile Icon Alan Zucconi
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Full star icon Full star icon Half star icon Empty star icon Empty star icon 2.9 (8 Ratings)
Paperback Jun 2018 392 pages 3rd Edition
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Arrow left icon
Profile Icon John P. Doran Profile Icon Alan Zucconi
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€41.99
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Paperback Jun 2018 392 pages 3rd Edition
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Unity 2018 Shaders and Effects Cookbook

Post Processing Stack

In this chapter, you will learn about the following recipes:

  • Installing the Post Processing Stack
  • Getting a filmic look using grain, vignetting, and anti-aliasing
  • Mimicking real life with bloom and anti-aliasing
  • Setting the mood with color grading
  • Creating a horror game look with fog

Introduction

It's great to write your own shaders and effects so that you can fine-tune your project to look just the way that you want, and this is what we will be spending the majority of the book looking into. However, it's also good to point out that Unity already comes with some prebuilt ways to get some of the more common effects that users like to have through the use of the Post Processing Stack.

For those who just want to get something up and running, the Post Processing Stack can be an excellent way for you to tweak the appearance of your game without having to write any additional code. Using the Post Processing Stack can also be useful in showing you just what shaders can do and how they can improve your game projects as, behind the scenes, the Post Processing Stack is itself a shader that is applied to the screen, aptly called a screen shader.

Installing the Post Processing Stack

Before we can use the Post Processing Stack, we must first get it from the newly introduced Package Manager. A Unity package is a single file that contains various assets that can be used in Unity in a similar manner to a .zip file. Previously, Unity used the Asset Store to share these files with users, but as time has gone on, the Package Manager has been added to give users an easy way to get free content from Unity. We will actually be using the Package Manager again in Chapter 12, Shader Graph, but right now we will be using it for the Post-Processing package that it contains.

Getting ready

To get started with this recipe, you will need to have Unity running and have created a new project. This chapter also requires you to have an environment to work from. The code files provided with this book will contain a basic scene and content to create the scene Unity's Standard Assets.

Open the Chapter 1 | Starting Point scene inside of the Asset | Chapter 01 | Scenes folder from the Project browser. If all goes well, you should see something like this from the Game tab:

This is a simple environment that will allow us to easily see how changes made in post-processing effects can modify how things are drawn on the screen.

If you are interested in learning how to create the environment used, check out my previous book, Unity 5.x Game Development Blueprints, also available from Packt Publishing.

How to do it...

To begin:

  1. Open up the Package Manager by going to Window | Package Manager (or by pressing Ctrl + 9):
  1. From the list view, click on the All button to display a list of all of the possible packages that are there. Once the list populates with all of the choices, select the Post-processing option:
  1. From there, at the top right of the menu, click on the Install 2.0.7-preview button. You may need to wait for a while for it to complete downloading the content. Once it's completed, you should be brought back to the In Project selection and now you'll see Post-processing added to the list:
  1. Close out of the Packages tab and go back to the Scene window to see the level. Then, from the Hierarchy window, we want to select the object that has our Camera component attached to it, as the Post Processing Stack needs to know which screen we want to modify. If you are using your own project, you may select the MainCamera object that comes with the default Unity scene, but the example project that is being used has the Camera located as a child of the FPSController object. To select it, click on the arrow next to the name to extend the object's children and then select the FirstPersonCharacter object:

This object has the Camera component on it, which is in charge of drawing what it sees to the Game tab when the game starts.

You can double-click on a game object in the Hierarchy tab to zoom the camera from the Scene tab to its location. This makes it very easy to find things, even in a large game level.
  1. With the object selected and our Camera component attached to it, next we need to add the Post-processing Behavior component to the object by going into Component | Rendering | Post-process Layer:
  1. Once added, from the Inspector tab, scroll down to the Post Process Layer (Script) component and, under Layer, change the dropdown to PostProcessing.
  2. This tells the component which objects we want to draw on the screen. When setting this, an object must have its Layer property set to PostProcessing in order to be seen.
  1. To create a Post Process Volume, go to the menu and select GameObject | 3D Object | Post Process Volume. From there, go to the Inspector tab and change the Layer property to PostProcessing. Finally, to make it easier to work with, change the Position to 0, 0, 0 and under the Post Process Volume component, check the Is Global property:

Notice that there is a Profile property to the volume. This property will contain information about how we wish to modify the screen. By checking Is Global, we are saying that this information should always be drawn on an object. By unchecking it, the effects will only be visible from a certain distance from where the volume is placed. Depending on the game, this could allow you to drastically modify how the game appears in certain areas, but we care only about getting the visual effect at this point.

Getting a filmic look using grain, vignetting, and depth of field

Now that we have the Post Processing Stack installed, we can create our first Post-processing Volume. The new Post Processing Stack relies on using volumes that describe how things should be drawn, either globally or within a certain area.

One of the most common appearances people like projects to have is that of a film. This is used quite frequently in titles such as the Uncharted series and Grand Theft Auto V. It's also used quite effectively in the Left 4 Dead series, as its creator are trying to emulate the B-movie zombie films that the games are based on.

Getting ready

Make sure you have completed the Installing the Post Processing Stack recipe before starting this one.

How to do it...

  1. We first create a new Post Processing Profile by right-clicking within the Assets | Chapter 1 folder in the Project window and then selecting Create | Post Processing Profile. Once selected, it will allow us to rename the item. Go ahead and set the name to FilmicProfile:
If you happen to not enter the name correctly, you can rename an item from the Project tab by clicking on the name and then clicking again.
  1. Once created, you should notice that, when selected, the Inspector window will now contain a button that says Add effect... (as you can see in the preceding image), which will allow us to augment what is normally drawn on the screen.
  2. From the Hierarchy tab, select the Post-process Volume object again and from the Inspector tab go to the Post Process Volume component and assign the Profile property to the FilmicProflie we just created:

Notice that, once the Profile has been set, the Add effect... button shows up here as well. We can use this at either place and the changes will be saved in the file.

  1. To get started, click on the Add effect... button and select the Unity | Grain option. By default, you'll only see the Grain option with a check, so click on the arrow to expand its contents:

By default, you'll see that everything is greyed out. In order to have it affect anything, you have to click on the checkbox on the left-hand side. You can quickly turn them all on or off by pressing the All or None buttons on the screen.

  1. In our case, check the Intensity option and set it to 0.2. Then, check the Size property and set it to 0.3. Afterward, switch to the Game tab to see a representation of what our tweaks have done:
  1. You will notice that the screen has become much fuzzier than before. Decrease the Intensity to 0.2, the Size to 0.3, and uncheck the Colored option.
Unlike how users typically work in Unity, due to Post Processing Profiles being filed, you can modify them while playing your game and, upon stopping the game, the values are still saved. This can be useful for tweaking values to achieve the exact look that you're after.
  1. The next property we want to tweak is the Vignette property. Note the blackened edges around the screen. Click on Add effect... and select Unity | Vignette. Open up the properties and change the Intensity to 0.5 and the Smoothness to 0.35:
  1. Next, select Add effect... again and, this time, select Unity | Depth of Field. Check the Depth of Field option. It may be difficult to see a change right off the bat, but change the Focus Distance to 6 and Focal Length to 80 and you should notice the grass in front of the background and the mountain in the distance are now blurred:
  1. Now, if we go into the game itself, you should see our filmic look in action:
The final result of the filmic look

And with that, we now have a scene that looks much more like a film than what we had to begin with!

How it works...

Each time we add an effect to a Post-processing Volume, we are overriding what would normally be put onto the screen.

If you've been to a movie theater that still uses film, you may have noticed how there were little specks in the filmstock while the film was playing. The grain effect simulates this film grain, causing the effect to become more pronounced the more the movie is played. This is often used in horror games to obscure the player's vision.

For more information on the grain effect, check out: https://github.com/Unity-Technologies/PostProcessing/wiki/Grain.

In the film world, vignetting can be an unintended effect of using the wrong type of lens for the type of shot you are trying to achieve or the aspect ratio that you are shooting for. In game development, we typically use vignetting for dramatic effect or to have players focus on the center of the screen by darkening and/or desaturating the edges of the screen compared to the center.

For more information on the vignette effect, check out: https://github.com/Unity-Technologies/PostProcessing/wiki/Vignette.

The depth of field setting basically determines what is blurry and what isn't. The idea is to have items of importance in focus while items in the background are not.

For more information on the depth of field effect, check out: https://github.com/Unity-Technologies/PostProcessing/wiki/Depth-of-Field.

Mimicking real life with bloom and anti-aliasing

The bloom optical effect aims to mimic the imaging effects of real-world cameras, where things in areas with lights will glow along the edges, thus overwhelming the camera. The bloom effect is very distinctive and you've likely seen it employed in areas in a game that are magical or heaven-like.

Getting ready

Make sure you have completed the Installing the Post Processing Stack recipe before starting this one.

How to do it...

  1. We first create a new Post Processing Profile by right-clicking within the Assets folder in the Project window and then selecting Create | Post Processing Profile. Once selected, it will allow us to rename the item. Go ahead and set the name to BloomProfile.
  2. Select the Post-process volume object and, from the Inspector window, go to the Post Processing Volume component and assign the Profile property to the BloomProflie we just created.
  1. Afterward, select the Game tab, if it hasn't been selected already to see the results of the changes we are about to make in the following steps.
  2. Select the Add effect... button and select Unity | Bloom. Once the effect has been added to the Overrides section of the Post Processing Volume component, select the arrow to open its properties. Check the Intensity property and set it to 3. Afterward, check and set the Threshold to 0.75, the Soft Knee to 0.1, and the Radius to 3:
  1. Next, select the object with the Post Process Layer component attached to it (in the example, it is the FPSController | FirstPersonCharacter object) and, from the Inspector tab, scroll down to the Post Process Layer script. From there, change the Anti-aliasing property dropdown to Fast Approximate Anti-aliasing:
  1. Afterward, save your scene and hit the Play button to check out your project:
The final result of using bloom and anti-aliasing

How it works...

As mentioned before, bloom will make bright things even brighter while adding a glow to lighter areas. In this recipe, you may notice that the path is much lighter than it was previously. This can be used in order to ensure that players will follow the path to get to the next section of gameplay.

For more information on bloom, check out: https://github.com/Unity-Technologies/PostProcessing/wiki/Bloom.

Anti-aliasing attempts to reduce the appearance of aliasing, which is the effect of lines appearing jagged on the screen. This is typically due to the fact that the display the player is using to play the game doesn't have a high enough resolution to be displayed properly. Anti-aliasing will combine colors with nearby lines in order to remove their prominence, at the cost of the game appearing blurry.

For more information on anti-aliasing and what each mode means, check out: https://github.com/Unity-Technologies/PostProcessing/wiki/Anti-aliasing.

Setting mood with color grading

One of the best ways to easily change the mood of a scene is by changing the colors a scene uses. One of the best examples of this is in the Matrix series of films, where the real world is always blue-tinted, while the computer-generated world of the Matrix is always tinted green. We can emulate this in our games through the use of color grading.

Getting ready

Make sure you have completed the Installing the Post Processing Stack recipe before starting this one.

How to do it...

  1. We first create a new Post Processing Profile by right-clicking within the Assets folder in the Project window and then selecting Create | Post Processing Profile. Once selected, it will allow us to rename the item. Go ahead and set it to ColorProfile.
  2. Select the Post-process volume object and, from the Inspector window, go to the Post Processing Volume component and assign the Profile property to the ColorProflie we just created.
  3. Afterward, select the Game tab, if it hasn't been selected already, to see the results of the changes to be made.
  4. Select the Add effect... button and select Unity | Color Grading.
  5. Check the Mode property and set it to Low Definition Range (LDR). From there, you'll see a number of properties that can be used to adjust the colors on the screen in a similar manner to how Photoshop's hue/saturation menu works. Check the Temperature property and set it to 30. Afterward, set the Hue Shift property to -20 and the Saturation to 15:
  1. After making the changes, dive into the game to see what it looks like when playing:
The final result of using color grading

Notice how the previously very green environment is now much warmer and more yellow than before.

For more information on the color grading effect, check out: https://github.com/Unity-Technologies/PostProcessing/wiki/Color-Grading.

Creating a horror game look with fog

One of the types of games that best utilize the features of the Post Processing Stack is the horror genre. Using things such as depth of field to hide scary objects, as well as static to make the screen more menacing, can really help set your game firmly in the right place and provide the mood you are going for.

Getting ready

Make sure you have completed the Installing the Post Processing Stack recipe before starting this one.

How to do it...

  1. We first create a new Post Processing Profile by right-clicking within the Assets folder in the Project window and then selecting Create | Post Processing Profile. Once selected, it will allow us to rename the item. Go ahead and set the name to HorrorProfile.
  2. Select the Post-process volume object and, from the Inspector window, go to the Post Processing Volume component and assign the Profile property to the HorrorProflie we just created.
  3. Unlike previous settings, though, the fog settings are located in the Lighting window, which can be accessed by going into Window | Lighting.
  4. From there, scroll all the way to the bottom until you reach the Other Settings option. Once there, check Fog and set the color to a value that is close to the skybox. I used the following settings:
If you know the hex values of the color from your graphic editing software you can just type it in the Hex Color property of the Color window.
  1. Next, change the Mode to Exponential and the Density to 0.03:

As you can see, it's already much more spooky that it was previously, but there are still more options that we can change.

  1. Open up the HorrorProfile again and go to the Inspector tab. Press the Add effect... button and select Unity | Ambient Occlusion. Check the Mode option and select Scalable Ambient Obscurance. Afterward, change the Intensity to 2 and the Radius to 20:
  1. Lastly, lighting often has a big effect on the theme of a scene as well. If you're using the example map, select the Directional Light object in the Hierarchy tab and, from the Inspector tab under the Light component, change the Intensity to 0.5 and then adjust the Color to something darker. (I used the same color as in step 4 with a HEX of 5F7684FF.)
  1. Save your game and then start it to see the effect of all of the changes:
The final result of our horror look

How it works...

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Key benefits

  • • Learn the secrets of creating AAA quality shaders without writing long algorithms
  • • Master shader programming through easy-to-follow examples
  • • Create stunning visual effects that can be used in 3D games

Description

Since their introduction to Unity, shaders have been seen as notoriously difficult to understand and implement in games. Complex mathematics has always stood in the way of creating your own shaders and attaining the level of realism you crave. Unity 2018 Shaders and Effects Cookbook changes that by giving you a recipe-based guide to creating shaders using Unity. It will show you everything you need to know about vectors, how lighting is constructed with them, and how textures are used to create complex effects without the heavy math. This book starts by teaching you how to use shaders without writing code with the post-processing stack. Then, you’ll learn how to write shaders from scratch, build up essential lighting, and finish by creating stunning screen effects just like those in high-quality 3D and mobile games. You'll discover techniques, such as normal mapping, image-based lighting, and animating your models inside a shader. We'll explore how to use physically based rendering to treat light the way it behaves in the real world. At the end, we’ll even look at Unity 2018’s new Shader Graph system. With this book, what seems like a dark art today will be second nature by tomorrow.

Who is this book for?

Unity Shaders and Effects Cookbook is for developers who want to create their first shaders in Unity 2018 or wish to take their game to a whole new level by adding professional post-processing effects. A solid understanding of Unity is required to get the most from this book.

What you will learn

  • • Understand physically based rendering to fit the aesthetic of your game
  • • Write shaders from scratch in ShaderLab and HLSL/Cg
  • • Combine shader programming with interactive scripts to add life to your materials
  • • Design efficient shaders for mobile platforms without sacrificing their realism
  • • Use state-of-the-art techniques, such as volumetric explosions and fur shading
  • • Master the math and algorithms behind the most used lighting models
  • • Understand how shader models have evolved and how you can create your own
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Table of Contents

13 Chapters
Post Processing Stack Chevron down icon Chevron up icon
Creating Your First Shader Chevron down icon Chevron up icon
Surface Shaders and Texture Mapping Chevron down icon Chevron up icon
Understanding Lighting Models Chevron down icon Chevron up icon
Physically-Based Rendering Chevron down icon Chevron up icon
Vertex Functions Chevron down icon Chevron up icon
Fragment Shaders and Grab Passes Chevron down icon Chevron up icon
Mobile Shader Adjustment Chevron down icon Chevron up icon
Screen Effects with Unity Render Textures Chevron down icon Chevron up icon
Gameplay and Screen Effects Chevron down icon Chevron up icon
Advanced Shading Techniques Chevron down icon Chevron up icon
Shader Graph Chevron down icon Chevron up icon
Other Books You May Enjoy Chevron down icon Chevron up icon

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thomas Feb 08, 2019
Full star icon Full star icon Full star icon Full star icon Full star icon 5
Great book, for those of you looking to learn some shader programming and are like me where you dont know where to start then this book is for you, i like how it takes you through set up and also provides demo materials which you can use as a guide or if you get stuck
Amazon Verified review Amazon
Adr Kindle Oct 17, 2018
Full star icon Full star icon Full star icon Full star icon Full star icon 5
I'm a professional web developer who's been into game programming for some time. Most Unity books cover 3D objects manipulation, game dynamics, etc. but they rarely touch on shaders' internals. Things like screen effects, different lighting types, liquids, fur, explosions - all seem like some kind of magic, written in a language with weird syntax and semantics that only few people understand.I've been trying to follow YouTube tutorials on writing shaders, reading blogs and articles, but always felt like I only understand a tiny piece of the puzzle. I was missing a holistic view and I couldn't find a good resource which would cover everything.This book is exactly what I've been looking for. It moves fast - reader is treated as a professional who doesn't need hundreds of examples for one topic - but it's also thorough. When you use a variable type, it tells you what other types there are and where to read about them more. It covers every topic I wanted to learn about plus some more. After reading the first few chapters I was already writing my own shaders, even coming up myself with ideas that were actually covered later in the book.The only thing that some readers may not like at first is the format of chapters. They follow this scenario: setting up a project, writing all of the code, running it, and then the explanation of what's going on. I'm personally more used to story-type tutorials where concepts are eased into. But very quickly I realised the potential of the approach this book takes. Every chapter is an entity of its own, allowing you to quickly come back to a specific topic when you need it, and gives you everything you need to see the concept in action.If you're a non-beginner software developer who wants to holistically understand shaders and write your own, this book is definitely worth reading.
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かるばどす Oct 29, 2018
Full star icon Full star icon Full star icon Full star icon Empty star icon 4
例を示して動作を示す説明スタイルは、エントリーとしてとても解り易いです。残な点として、updateが最新に対応しきれていない点があり、ちょっと戸惑う点がある事です。まだunityで開発中の機能を説明しているので、タイムリーな更新が期待されます。
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M. HertZ Mar 12, 2019
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It’s a decent primer if you’ve never worked with shader code before. The author does a decent job explaining the fundamentals of writing shader code. However for the price of the book and its subject, its pretty dissapointing that the images are low quality and in black and white. Furthermore getting the source code to follow along with the recipes is a pain. The publishers website provides confusing and inaccurate instructions. If you’re tired of reading blog posts and online tutorials then this book might be worth it for you.
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Amazon カスタマー Dec 22, 2019
Full star icon Full star icon Full star icon Empty star icon Empty star icon 3
シェーダーやポストプロセスの良い本だとは思うのですが、グラフィックスを扱う本なのにまさかのモノクロです。カラーページは一切ありません。それと当然ながら英語のみなので、注意してください。
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For example:

  • If you live in Mexico, and the declared value of your ordered items is over $ 50, for you to receive a package, you will have to pay additional import tax of 19% which will be $ 9.50 to the courier service.
  • Whereas if you live in Turkey, and the declared value of your ordered items is over € 22, for you to receive a package, you will have to pay additional import tax of 18% which will be € 3.96 to the courier service.
How can I cancel my order? Chevron down icon Chevron up icon

Cancellation Policy for Published Printed Books:

You can cancel any order within 1 hour of placing the order. Simply contact [email protected] with your order details or payment transaction id. If your order has already started the shipment process, we will do our best to stop it. However, if it is already on the way to you then when you receive it, you can contact us at [email protected] using the returns and refund process.

Please understand that Packt Publishing cannot provide refunds or cancel any order except for the cases described in our Return Policy (i.e. Packt Publishing agrees to replace your printed book because it arrives damaged or material defect in book), Packt Publishing will not accept returns.

What is your returns and refunds policy? Chevron down icon Chevron up icon

Return Policy:

We want you to be happy with your purchase from Packtpub.com. We will not hassle you with returning print books to us. If the print book you receive from us is incorrect, damaged, doesn't work or is unacceptably late, please contact Customer Relations Team on [email protected] with the order number and issue details as explained below:

  1. If you ordered (eBook, Video or Print Book) incorrectly or accidentally, please contact Customer Relations Team on [email protected] within one hour of placing the order and we will replace/refund you the item cost.
  2. Sadly, if your eBook or Video file is faulty or a fault occurs during the eBook or Video being made available to you, i.e. during download then you should contact Customer Relations Team within 14 days of purchase on [email protected] who will be able to resolve this issue for you.
  3. You will have a choice of replacement or refund of the problem items.(damaged, defective or incorrect)
  4. Once Customer Care Team confirms that you will be refunded, you should receive the refund within 10 to 12 working days.
  5. If you are only requesting a refund of one book from a multiple order, then we will refund you the appropriate single item.
  6. Where the items were shipped under a free shipping offer, there will be no shipping costs to refund.

On the off chance your printed book arrives damaged, with book material defect, contact our Customer Relation Team on [email protected] within 14 days of receipt of the book with appropriate evidence of damage and we will work with you to secure a replacement copy, if necessary. Please note that each printed book you order from us is individually made by Packt's professional book-printing partner which is on a print-on-demand basis.

What tax is charged? Chevron down icon Chevron up icon

Currently, no tax is charged on the purchase of any print book (subject to change based on the laws and regulations). A localized VAT fee is charged only to our European and UK customers on eBooks, Video and subscriptions that they buy. GST is charged to Indian customers for eBooks and video purchases.

What payment methods can I use? Chevron down icon Chevron up icon

You can pay with the following card types:

  1. Visa Debit
  2. Visa Credit
  3. MasterCard
  4. PayPal
What is the delivery time and cost of print books? Chevron down icon Chevron up icon

Shipping Details

USA:

'

Economy: Delivery to most addresses in the US within 10-15 business days

Premium: Trackable Delivery to most addresses in the US within 3-8 business days

UK:

Economy: Delivery to most addresses in the U.K. within 7-9 business days.
Shipments are not trackable

Premium: Trackable delivery to most addresses in the U.K. within 3-4 business days!
Add one extra business day for deliveries to Northern Ireland and Scottish Highlands and islands

EU:

Premium: Trackable delivery to most EU destinations within 4-9 business days.

Australia:

Economy: Can deliver to P. O. Boxes and private residences.
Trackable service with delivery to addresses in Australia only.
Delivery time ranges from 7-9 business days for VIC and 8-10 business days for Interstate metro
Delivery time is up to 15 business days for remote areas of WA, NT & QLD.

Premium: Delivery to addresses in Australia only
Trackable delivery to most P. O. Boxes and private residences in Australia within 4-5 days based on the distance to a destination following dispatch.

India:

Premium: Delivery to most Indian addresses within 5-6 business days

Rest of the World:

Premium: Countries in the American continent: Trackable delivery to most countries within 4-7 business days

Asia:

Premium: Delivery to most Asian addresses within 5-9 business days

Disclaimer:
All orders received before 5 PM U.K time would start printing from the next business day. So the estimated delivery times start from the next day as well. Orders received after 5 PM U.K time (in our internal systems) on a business day or anytime on the weekend will begin printing the second to next business day. For example, an order placed at 11 AM today will begin printing tomorrow, whereas an order placed at 9 PM tonight will begin printing the day after tomorrow.


Unfortunately, due to several restrictions, we are unable to ship to the following countries:

  1. Afghanistan
  2. American Samoa
  3. Belarus
  4. Brunei Darussalam
  5. Central African Republic
  6. The Democratic Republic of Congo
  7. Eritrea
  8. Guinea-bissau
  9. Iran
  10. Lebanon
  11. Libiya Arab Jamahriya
  12. Somalia
  13. Sudan
  14. Russian Federation
  15. Syrian Arab Republic
  16. Ukraine
  17. Venezuela