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LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

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Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
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Author (1):
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David Earl David Earl
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David Earl
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Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist FREE CHAPTER 2. Getting Our Feet Wet: Exploring LMMS 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index
The art of arranging

Often when I am teaching students how to remix music, I have them listen to pop music. Really cheesy, middle-of-the-road pop music. Sometimes I'll be sure to add a Beatles tune in there, or some other artist that I actually admire, but for the most part I choose what's popular, and not what's great.

The reason I do this is to analyze the structure of the arrangements of music. Music is experienced in movements. These movements are different parts of a story. Some movements are repeated, while other movements stand on their own. In music that we hear commonly on the radio, there are usually three movement types—the verse, chorus, and bridge.

Of course there are other movements as well, but these are the main parts of any pop song. You may have an intro, but usually that is derived from the verse or chorus. You might have a pre-chorus as well, which is used as a setup, but the verse, chorus, and bridge are the main ways that these stories are told...

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