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Generative AI with Python and TensorFlow 2

You're reading from   Generative AI with Python and TensorFlow 2 Create images, text, and music with VAEs, GANs, LSTMs, Transformer models

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Product type Paperback
Published in Apr 2021
Publisher Packt
ISBN-13 9781800200883
Length 488 pages
Edition 1st Edition
Languages
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Authors (2):
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Raghav Bali Raghav Bali
Author Profile Icon Raghav Bali
Raghav Bali
Joseph Babcock Joseph Babcock
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Joseph Babcock
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Table of Contents (16) Chapters Close

Preface 1. An Introduction to Generative AI: "Drawing" Data from Models 2. Setting Up a TensorFlow Lab FREE CHAPTER 3. Building Blocks of Deep Neural Networks 4. Teaching Networks to Generate Digits 5. Painting Pictures with Neural Networks Using VAEs 6. Image Generation with GANs 7. Style Transfer with GANs 8. Deepfakes with GANs 9. The Rise of Methods for Text Generation 10. NLP 2.0: Using Transformers to Generate Text 11. Composing Music with Generative Models 12. Play Video Games with Generative AI: GAIL 13. Emerging Applications in Generative AI 14. Other Books You May Enjoy
15. Index

Image Generation with GANs

Generative modeling is a powerful concept that provides us with immense potential to approximate or model underlying processes that generate data. In the previous chapters, we covered concepts associated with deep learning in general and more specifically related to restricted Boltzmann machines (RBMs) and variational autoencoders (VAEs). This chapter will introduce another family of generative models called Generative Adversarial Networks (GANs).

Heavily inspired by the concepts of game theory and picking up some of the best components from previously discussed techniques, GANs provide a powerful framework for working in the generative modeling space. Since their invention in 2014 by Goodfellow et al., GANs have benefitted from tremendous research and are now being used to explore creative domains such as art, fashion, and photography.

The following are two amazing high-quality samples from a variant of GANs called StyleGAN (Figure 6.1). The photograph...

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