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Jumpstart Logic Pro 10.6

You're reading from   Jumpstart Logic Pro 10.6 Create professional music with Apple's flagship digital audio workstation app

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Product type Paperback
Published in Oct 2020
Publisher Packt
ISBN-13 9781800562776
Length 304 pages
Edition 1st Edition
Languages
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Author (1):
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Jay Asher Jay Asher
Author Profile Icon Jay Asher
Jay Asher
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Table of Contents (17) Chapters Close

Preface 1. Chapter 1: Beginning with Logic Pro 10.6 2. Chapter 2: Getting to Know the Logic Pro Interface FREE CHAPTER 3. Chapter 3: Recording Audio 4. Chapter 4: Editing Audio 5. Chapter 5: Recording MIDI 6. Chapter 6: Step Entering and Editing MIDI 7. Chapter 7: Logic Pro's Drummer 8. Chapter 8: Logic Pro's Step Sequencer 9. Chapter 9: Working with Sampler, Quick Sampler, and Auto Sampler 10. Chapter 10: Working with Live Loops 11. Chapter 11: Working with Audio Files, Tempo, and Pitch 12. Chapter 12: Getting the Arrangement Right 13. Chapter 13: Organizing for the Mix 14. Chapter 14: Mixing Your Project in Logic Pro 15. Chapter 15: Automating Your Mix 16. Chapter 16: Delivering Your Music for Distribution

Using the Step Input Keyboard

The Step Input Keyboard is often overlooked, but it is a gem. If you go to the Window menu and scroll down, you will see that you can open it:

Figure 6.8 – The Step Input Keyboard

Notice that you can choose the note duration you wish to enter on the fly, including dotted notes and triplets, chords, and you can choose the dynamics as well. This is perfect for our next task, which is to create a glissando at 5 3 1 1, culminating in a whole note chord:

  1. Use the Go To Position command key, which is the forward slash next to the right Shift key, and type in 5, then press the spacebar, then 3, and press Enter or return to move the Playhead to 5 3 1 1 (The Go To Position key command is my favorite.).
  2. Select the 64th note at mezzo piano (mp).
  3. Starting with C4, play a chromatic scale up to B4.
  4. Select the Chord and Whole Note buttons, and forte (f).
  5. Play C5, then E5, then G5, then B5, to create a major 7th chord...
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