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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing A step-by-step guide to smart video editing with FCP 10.6

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Product type Paperback
Published in Oct 2020
Publisher Packt
ISBN-13 9781839213243
Length 796 pages
Edition 1st Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (20) Chapters Close

Preface 1. Section 1: Importing and Organizing
2. Chapter 1: Quick Start: An Introduction to FCP FREE CHAPTER 3. Chapter 2: Before the Edit: Production Tips 4. Chapter 3: Bring It In: Importing Your Footage 5. Chapter 4: Sort It Out: reviewing and keywording 6. Chapter 5: Choose Your Favorites: Selecting, Rating, and Searching 7. Section 2: Rough Cut to Fine Cut
8. Chapter 6: Build the spine of the story: Quick Assembly 9. Chapter 7: Cover It Up: Connections, Cutaways, and Storylines 10. Chapter 8: Neaten the Edges: Trimming Techniques 11. Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions 12. Chapter 10: Explore a Little: Compound Clips and Timeline Tricks 13. Section 3: Finishing and Exporting
14. Chapter 11: Play with Light: Color Correction and Grading 15. Chapter 12: Refine and Smooth: Video Properties and Effects 16. Chapter 13: Blend and Warp: Video Transitions and Retiming 17. Chapter 14: Boost the Signal: Audio Sweetening 18. Chapter 15: A Few Words: Titles and Generators 19. Chapter 16: You're Done: Exporting Your Edit and Finishing Up

Retiming basics

In this section, you'll learn how to play clips faster or slower than normal, for special effects, for slow motion, or even to deal with footage at the wrong frame rate. After a quick look at the different kinds of footage you might need to deal with, you'll discover how to apply an overall speed change to a clip.

All of the important retiming commands are in the same menu — the third icon (a speedometer) at the lower left of the Viewer. To get started, you'll need a few clips in a timeline and ideally some high-speed clips for slow-motion. If you have an iPhone, switch it into Slo-Mo mode now and record something moving. For great results, blow a raspberry to the camera, create a water splash somehow, or dance.

If you have used your iPhone, don't Airdrop it to your Mac because that will lock in a pre-defined slow-motion effect. Plug the iPhone into your Mac and import it to FCP directly to get the full original clip.

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