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Adobe Illustrator for Creative Professionals

You're reading from   Adobe Illustrator for Creative Professionals Develop skills in vector graphic illustration and build a strong design portfolio with Illustrator 2022

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Product type Paperback
Published in Jun 2022
Publisher Packt
ISBN-13 9781800569256
Length 294 pages
Edition 1st Edition
Concepts
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Author (1):
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Clint Balsar Clint Balsar
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Clint Balsar
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Table of Contents (17) Chapters Close

Preface 1. Part 1 – Reviewing the Necessary Knowledge
2. Chapter 1: Building a Foundation beyond the Basics FREE CHAPTER 3. Chapter 2: Prepping for Illustrator 4. Part 2 – Advanced Illustrator Methods
5. Chapter 3: Developing and Organizing Objects 6. Chapter 4: Drawing with the Pencil, Paintbrush, Pen, and Shape Tools 7. Chapter 5: Editing and Transforming Objects 8. Chapter 6: Advanced Attribute Design 9. Chapter 7: Powerful Typography Options in Adobe Illustrator 10. Part 3 – Real-World Applications
11. Chapter 8: Preparing Artwork for Presentation 12. Chapter 9: Utilizing Multiple Artboards 13. Chapter 10: Advanced Layer Development and Organization 14. Chapter 11: Extending Illustrator Through Third-Party Tools and the iPad 15. Chapter 12: Illustrator Mastery – Advanced Techniques and Shortcuts 16. Other Books You May Enjoy

The Pathfinder panel for heavy lifting

If the situation does not allow for simple addition or subtraction of combined elements, then it might be time to use the advanced properties of Pathfinder. Pathfinder was in Illustrator long before the Shape Builder tool, but I would now recommend the Shape Builder tool as a primary option and Pathfinder as a secondary option when needed. It allows for more unique options for blending multiple objects.

As Figure 4.29 shows, the Pathfinder panel is divided into two areas: Shape Modes and Pathfinders:

Figure 4.29 – The Pathfinder panel

To illustrate this tool, we will use a sample image made up of several shapes and show the results of each method. This artwork will be used to run through all Shape Modes and Pathfinders, and then I will share the results from the two categories:

Figure 4.30 – Original

Figure 4.31 shows the results after applying each of the shape modes:

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