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The Music Producer's Ultimate Guide to FL Studio 21

You're reading from   The Music Producer's Ultimate Guide to FL Studio 21 From beginner to pro: compose, mix, and master music

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Product type Paperback
Published in Jun 2023
Publisher Packt
ISBN-13 9781837631650
Length 462 pages
Edition 2nd Edition
Languages
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Author (1):
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Joshua Au-Yeung Joshua Au-Yeung
Author Profile Icon Joshua Au-Yeung
Joshua Au-Yeung
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Table of Contents (20) Chapters Close

Preface 1. Section I: Getting Up and Running with FL Studio
2. Getting Started with FL Studio FREE CHAPTER 3. Exploring the Browser, Playlist, and Channel Rack 4. Composing with the Piano Roll 5. Routing to the Mixer and Applying Automation 6. Section II: Music Production Fundamentals
7. Sound Design and Audio Envelopes 8. Compression, Sidechaining, Limiting, and Equalization 9. Stereo Width (Panning, Reverb, Delay, Chorus, and Flangers) and Distortion 10. Recording Live Audio and Vocal Processing 11. Vocoders and Vocal Chops 12. Creating Your Own Instruments and Effects 13. Intermediate Mixing Topics and Sound Design Plugin Effects 14. Section III: Postproduction and Publishing Your Music
15. Mastering Fundamentals 16. Marketing, Content Creation, Getting Fans, and Going Viral 17. Publishing and Selling Music Online 18. Other Books You May Enjoy
19. Index

Vocals effect processing best practices

Let’s discuss some best practices to process your vocals.

It’s best to record dry vocals without any effects. You can always add in and swap out effects later. If you need to hear how an effect will sound for reference while recording (such as when using an autotune or vocoder tool), record the dry vocals at the same time as the effected vocals on two separate channels so that you end up with access to the dry vocals, in addition to any effected vocals.

When applying effects on vocals, there’s an order that’s usually followed. The following order is a suggestion, not a mandatory rule. This order is here to help you get a natural sounding vocal where each effect helps to build on the previous one rather than interfere. If you find any of the following terms confusing regarding compressing or EQ, revisit Chapter 6, Compression, Sidechaining, Limiting, and Equalization.

Here’s a suggested order to...

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