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The Music Producer's Ultimate Guide to FL Studio 21

You're reading from   The Music Producer's Ultimate Guide to FL Studio 21 From beginner to pro: compose, mix, and master music

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Product type Paperback
Published in Jun 2023
Publisher Packt
ISBN-13 9781837631650
Length 462 pages
Edition 2nd Edition
Languages
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Author (1):
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Joshua Au-Yeung Joshua Au-Yeung
Author Profile Icon Joshua Au-Yeung
Joshua Au-Yeung
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Table of Contents (20) Chapters Close

Preface 1. Section I: Getting Up and Running with FL Studio
2. Getting Started with FL Studio FREE CHAPTER 3. Exploring the Browser, Playlist, and Channel Rack 4. Composing with the Piano Roll 5. Routing to the Mixer and Applying Automation 6. Section II: Music Production Fundamentals
7. Sound Design and Audio Envelopes 8. Compression, Sidechaining, Limiting, and Equalization 9. Stereo Width (Panning, Reverb, Delay, Chorus, and Flangers) and Distortion 10. Recording Live Audio and Vocal Processing 11. Vocoders and Vocal Chops 12. Creating Your Own Instruments and Effects 13. Intermediate Mixing Topics and Sound Design Plugin Effects 14. Section III: Postproduction and Publishing Your Music
15. Mastering Fundamentals 16. Marketing, Content Creation, Getting Fans, and Going Viral 17. Publishing and Selling Music Online 18. Other Books You May Enjoy
19. Index

Understanding compression

When mixing, we call the range in volume from loud to quiet the dynamic range. Compression is an effect to be applied to a sound to reduce the dynamic range. After compression is applied to a sound, the loudest parts of the sound become quieter relative to the quieter parts. The volume of the whole sound is then raised. Reducing the dynamic range means that you have less change between the quietest and the loudest parts of your sound.

Why would you want to use compression? Imagine you were having a conversation with someone and wanted someone else to hear a recording of the dialog. In the recording, some parts of the dialog might be really loud while others might be quiet. You might whisper in some parts and yell in others; you might move close to or further away from the microphone. All of these factors will affect the volume of the end result of the recording. For someone listening to the recording, you don’t want them to be struggling to hear...

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