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Generative AI with Python and TensorFlow 2

You're reading from   Generative AI with Python and TensorFlow 2 Create images, text, and music with VAEs, GANs, LSTMs, Transformer models

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Product type Paperback
Published in Apr 2021
Publisher Packt
ISBN-13 9781800200883
Length 488 pages
Edition 1st Edition
Languages
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Authors (2):
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Raghav Bali Raghav Bali
Author Profile Icon Raghav Bali
Raghav Bali
Joseph Babcock Joseph Babcock
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Joseph Babcock
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Toc

Table of Contents (16) Chapters Close

Preface 1. An Introduction to Generative AI: "Drawing" Data from Models 2. Setting Up a TensorFlow Lab FREE CHAPTER 3. Building Blocks of Deep Neural Networks 4. Teaching Networks to Generate Digits 5. Painting Pictures with Neural Networks Using VAEs 6. Image Generation with GANs 7. Style Transfer with GANs 8. Deepfakes with GANs 9. The Rise of Methods for Text Generation 10. NLP 2.0: Using Transformers to Generate Text 11. Composing Music with Generative Models 12. Play Video Games with Generative AI: GAIL 13. Emerging Applications in Generative AI 14. Other Books You May Enjoy
15. Index

Modes of operation

Generating believable fake content requires taking care of multiple aspects to ensure that the results are as authentic as possible. A typical deepfake setup requires a source, a target, and the generated content.

  • The source, denoted with subscript s, is the driver identity that controls the required output
  • The target, denoted with subscript t, is the identity being faked
  • The generated content, denoted with subscript g, is the result following the transformation of the source to the target.

Now that we have some basic terminology in place, let's dive deeper and understand different ways of generating fake content.

Replacement

This is the most widely used form of generating fake content. The aim is to replace specific content of the target (xt) with that from the source (xs). Face replacement has been an active area of research for quite some time now. Figure 8.1 shows Donald Trump's face being replaced with Nicolas...

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