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Scoring to Picture in Logic Pro

You're reading from   Scoring to Picture in Logic Pro Explore synchronization techniques for film, TV, and multimedia composers using Apple's flagship DAW

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Product type Paperback
Published in Sep 2023
Publisher Packt
ISBN-13 9781837636891
Length 412 pages
Edition 1st Edition
Languages
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Author (1):
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Prof. Chris Piorkowski Prof. Chris Piorkowski
Author Profile Icon Prof. Chris Piorkowski
Prof. Chris Piorkowski
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Table of Contents (19) Chapters Close

Preface 1. Part 1: An Introduction to Scoring to Picture
2. Chapter 1: Understanding Film Music Industry Standards FREE CHAPTER 3. Chapter 2: Understanding Film Scoring Terminology 4. Chapter 3: Reviewing QuickTime Video and Video Components 5. Part 2: Project Setup and Navigation
6. Chapter 4: Setting Up a Movie in Logic Pro 7. Chapter 5: Syncing Logic Pro to Picture 8. Chapter 6: Working with Hit Points and Scene Markers 9. Part 3: Methods of Scoring to Picture
10. Chapter 7: Creating Tempo Maps 11. Chapter 8: Working with Beat Mapping 12. Chapter 9: Working with a Time Signature 13. Part 4: Synchronizing Music to Picture
14. Chapter 10: Scoring a Commercial 15. Chapter 11: Shaping the Score and Exporting to Video 16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music 17. Index 18. Other Books You May Enjoy

Exploring visual synchronization methods used today

When we speak about visual synchronization methods, we’re talking about using picture cueing accompanied by the metronome click. Since the Golden Age of Hollywood, visual synchronization methods have been used to record live orchestra music to picture. In this section, we will look closer at picture cueing in the olden days and how it’s used today.

Picture cueing

Picture cueing is a visual synchronization method that uses superimposed punches and streamers to assist the conductor, during a live orchestra recording session, to synchronize the music to the picture. Punches and streamers are used especially when the music needs to flow, or have a “rubato” feel, and doesn’t need to follow strict rhythmic pulses.

In the past, a streamer was created by etching a marker line in the celluloid film. This appeared as a diagonal line, superimposed over the movie, flowing from the left to the right...

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